Auto biography 2

In 1992, he is invited by Televisa to form part of the group of privileged actors, offering him an attractive contract of exclusiveness for 6 years and the participation in the project called “EL ALBUM DE LAS ESTRELLAS”.

He then returns to soap operas with “LA ÚLTIMA ESPERANZA” (120 episodes) embodying “Caireles”, a character who is the comedic villain of the story in a very entertaining characterization that would then be included in the show “CABARÉ T.V.”, which started in 1993 with a year of preparation, this show marks the debut of Pepe Suarez as a writer, scene director, producer & leader of the cast of the night club.

He initiates the taping of his 5th soap opera novel “BUSCANDO EL PARAÍSO” (1993-94), where producer Luis de Llano trusts him with 200 chapters for the role of Eduardo, a misunderstood young man that little by little sinks in a terrible depression getting involved in the world of drug addiction, that drags him toward a serious mental illness: autism. The tragic role wins him critical acclaim.

Televicine invites him to participate in a film that’s know as the “New Mexican Cinema” starring as “Juan”, a character with a strong load drama that flows into in tragedy, wrapped in a love triangle: “TRES MINUTOS EN LA OBSCURIDAD” (1994), the film that represents Mexico in the Guadalajara Film Festival in Jalisco, in the sample of films in the city of Shangai, China (1995) & the film festival in La Habana, Cuba (1995), opening in Mexico City in February 1996. At the end of the film, the same company entrusts the lead role to Pepe for the film “EMBRUJO DE ROCK” co-starring Gaby Ruffo (1994) and opening in January, 1996.

He then incorporates himself in the soap opera “AGUJETAS DE COLOR DE ROSA” that by invitation of its producer, Luis de Llano, carries out a special performance interpreting the role of René, a young quadriplegic who is bound to his wheelchair due to paralyses of his body. (1994-1995).

In June of 1995, he begins the 9 month taping of another soap opera with 160 episodes embodying “Alberto”, an 18 year old young man for Julissa’s “LA SOMBRA DEL OTRO”.

In 1996 the pilot episode of the program “SEBÁSTIAN” is done, that of which Pepe is the creator of the series, scripts and protagonist.

After several interventions in the programs “INTIMAMENTE SHANIK”, “CÁMARA INFRAGANTI”, “EN CADENA CON CADENA”, “MUJER, CASOS DE LA VIDA REAL” y “NI CONTIGO NI SIN TÍ”, and the taping of the pilot “LOS TAXISTAS”, he then returns to theatre in 1998 starring in the musical “LOS NIÑOS DE LA CALLE” & accompanying Carlos Espejel in the comedic night club spectacle “EL TAMAÑO NO IMPORTA”.

After his voluntary retirement from television to dedicate himself to the production and execution of Mega events, a new concept in festivals and theme parties through his producing company MARQUIS ENTERTAINMENT, he returns to Televisa to write the original idea and scripts and co-direct along with Carlos Espejel the pilot show “FUERA DE CONTROL” (1999) written for the production team of Emilio Larrosa.

At the same time he is called to participate in the TV pilot “MI PROGRAMA FAVORITO” for Jorge Ortíz de Pinedo, who after seeing him work introduces him to Renè Cardona Jr. who also at the same time invites him to join the team of the movie starring Ortiz de Pinedo “PAPÀ 2000”. Afterwards, Ortiz de Pinedo himself invites Pepe to be part of the cast of the TV program “HUMOR ES, LOS COMEDIANTES” in its last season in 1999, and then rehiring him for the new 2000 season.

Simultaneously, in 1999, Marco Flavio Cruz trusts him the villainous character of ‘Pablo’ for the new production of Luis de Llano “DKDA” ‘SUEÑOS DE JUVENTUD’ returning with this project to the soap opera world and filming 260 episodes. It’s at this time that he also changes his name from José Suárez for that of ‘PEPE SUÁREZ’.

At the end of the year 2000, Nicandro Díaz offers him the character of Raymundo, a comedic thief in the children’s production “CARITA DE ANGEL” with a special performance and once again filming various episodes of “MUJER CASOS DE LA VIDA REAL”.

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